Depth Over Distance

When we chase pictures of beauty and grandeur, documentary photography teaches us that the everyday is right here, hidden all around us, and that we don’t need to burn half a tank of gas to find it.

Photography is where I prefer to converse with the world. It’s my language—how I make sense of things and where I fit. I decided a while back to let the camera speak for the medium itself.

I remember walking around New York City with a Fujifilm X-S10 and an 18-55mm lens; it was an excellent kit for the environment. Though I later upgraded to an X-S20 and eventually a Nikon Z7 II for its elite sensor and weather sealing, when I think back to the city, I picture an X-Pro2 and an XF 35mm f2.

I probably own all the cameras I’ll ever need.

Even when I don’t take it out much, just knowing it’s there inspires me to step outside.

Of course, one of the best parts of photography is simply driving with the windows down, listening to music—though, heck, you don’t even need a camera to do that.

My favorite thing about Midland is that it’s near Odessa. My favorite thing about Odessa? It’s impossible to romanticize. I mean, just look at it.

It’s hard to be well-traveled without going anywhere, just like it’s hard to be well-read without opening a book. But perhaps it’s not quantity we’re looking for, but quality: the chance to go deep where you are without traveling a thousand miles away.

I drove around today and saw a picture I want to take. I’ll return later.