Notes, 2026 Charles Henry Notes, 2026 Charles Henry

Virtual Movements

With enough resolution, we can crop in, move a frame around, and simulate a view camera’s movements in post, including rise, fall, and shift.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Makeshift Rangefinder

By most metrics, we’re lousy photographers, and that’s fine. 50mm might be the best focal length, and 35mm the best lens if we crop in a little.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

5600ºK

If sunlight’s temperature sits between 5000ºK and 6500ºK, then 5600ºK is a good custom choice.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Taken Seriously

If a picture is good enough for a view camera, it’s potentially good enough for a series, seriously. I love getting lost under a focusing cloth.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Aspect Ratios

Focal lengths and aspect ratios correlate. A 50mm needs a narrower 4:5 to emphasize relationships between foregrounds and back grounds, and on the other side, a 28mm does better with a wider 3:2 because it emphasizes side-to-side relationships.

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Layered
Findings, 2010 Charles Henry Findings, 2010 Charles Henry

Layered

A 50mm lens is more front-to-back than side-to-side and compresses things together, perfect for layering foregrounds over backgrounds — more deadpan than a 35.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Complaining (a how to guide)

Live a great life. From wherever to whatever, I love taking pictures with my camera. It’s an obsession — a small footprint: prints, posts, and film resting inside a trusty binder.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Film Emulation

It’s fine to digitally emulate analog. A box of monochrome 8x10 sells for $250 — a $150 rise from a decade ago, and some 35mm rolls fetch $15. Analog was once the primary photographic method.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Experiment

Many people know that we have more to learn, and from the moment we realize that we’re not the center of everything, it gets better.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Harsh Daylight

I’ve tried to photograph harsh light for years. Unlike film, digital has less latitude in bright light, which is why you must find techniques to elevate consistency.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

35, 50

Wide and telephoto touch somewhere between 35 and 50, which means every lens over 50 is called a telephoto and every one below 35 is considered wide, making 35 the longest wide-angle and 50 the widest telephoto.

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Notes, 2025 Charles Henry Notes, 2025 Charles Henry

Auxiliary Viewfinders

Forget new lenses and camera specs. One of the most freeing things we can add to our photography is an auxiliary viewfinder because it removes precision.

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