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Twangy

It’s pedal steel, bright guitar, fiddles, snare, upright bass, and lyrics about heartache.

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FM 3503

Sand haulers and company trucks roar today, yet in a lost decade, young mechanics revved muscle cars on two lanes, interrupting calm nights before red taillights. It’s been forever since I’ve considered FM 3503.

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Harsh Daylight

I’ve tried to photograph harsh light for years. Unlike film, digital has less latitude in bright light, which is why you must find techniques to elevate consistency.

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Calm

In a sea of chaos, be an island of peace.

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Carscapes

I did the unthinkable and walked in a city as a pedestrian.

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Sandhills

Monahans Sandhills State Park, Windmill, Texas & Pacific Railroad Section House

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Gear

Sometimes photography feels like it’s 10% taking pictures and 90% watching camera reviews.

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Happy

A dog barks, tin clanks, and wind whooshes across dormant branches.

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35, 50

Wide and telephoto touch somewhere between 35 and 50, which means every lens over 50 is called a telephoto and every one below 35 is considered wide, making 35 the longest wide-angle and 50 the widest telephoto.

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Auxiliary Viewfinders

Forget new lenses and camera specs. One of the most freeing things we can add to our photography is an auxiliary viewfinder because it removes precision.

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New York Town

I caught the subway and went downtown. Helvetica lettering pointed the way. Passenger cars rocked, rattled, and clanked in the dark, and a platform musician sang Country Roads. People smiled on the boat to the Statue of Liberty, and Manhattan’s mountains rose above the harbor, where I later walked across the Brooklyn Bridge, picturing it as I would in a dry, dusty town.

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The Bigger Picture

There are many things to learn. The point of the arts isn’t to make a living doing art. Instead, if done well, we’ll witness the lived reality of the person making something become more widely known.

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In our lifetime

We’re only our age for a little while, yet the present is eternal.

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Sunset Limited

With a ticket, backpack, and several rolls of Kodak Gold, I watched Amtrak’s Sunset Limited coast to a stop at Alpine, 2 PM, would reach Los Angeles at 9 AM, December 2005.